Gareth Bale, James Rodríguez, Luis Suárez and Karim Benzema have some shiny new boots and there will be haters in after watching this new spot IRIS for Adidas Football.
Creative Credits:
Advertising Agency: Iris, UK
Wednesday, January 21, 2015
During Super Bowl 49, make sure to tune in for a very special episode of The Brady Bunch, starring Danny Trejo in Snickers Super Bowl ad.
The brand tells Adweek “fans can ask to have the spot released early through a number of social media activities, and if consumers generate 2.5 million social media engagements before kick-off on Feb. 1, Snickers will release the entire 30-second spot early.”
Creative Credits:
Ad Agency: BBDO, New York
Carl’s Jr.'s new Super Bowl commercial, set to air during the Big Game on Feb. 1 and live online today. In the ad ‘Au Naturel,’ Carl’s Jr. and swimsuit model Charlotte McKinney are stripping down and going all-natural for the first time ever. This is a regional spot airing in Carl's Jr. markets on the west coast.
Within the ad, which supports the launch of the All-Natural Burger, McKinney saunters through a bustling farmers market, seemingly naked and hidden by strategically placed produce. After a series of carefully-crafted shots with a variety of sensual fruits, McKinney comes to the center of the frame to reveal that there’s nothing between her and her… all-natural charbroiled burger. The spot nods to the classic scene in Austin Powers 2, where Mike Myers and Elizabeth Hurley cover themselves with everyday items.
Creative Credits:
AD AGENCY: 72andSunny
Chief Creative Officer/Founder: Glenn Cole
Group Creative Director: Justin Hooper
Group Creative Director: Mick DiMaria
Creative Director: Mark Maziarz
Jr. Writer: Reilly Baker
Designer: Esther Kim
Director of Film Production: Sam Baerwald
Executive Film Producer: Molly McFarland
Film Producer: Brooke Horne
Film Production Coordinator: Taylor Stockwell
Group Brand Director: Judson Whigham
Brand Director: Alexis Coller
Brand Manager: Scott Vogelsong
Brand Coordinator: Anthony Fernandez
Group Business Affairs Director: Amy Jacobsen
Business Affairs Manager: Audra Brown
Business Affairs Manager: Maggie Pijanowski
Business Affairs Coordinator: Calli Howard
Group Strategy Director: Matt Johnson
Strategist: Eddie Moraga
PRODUCTION CO: RSA Films
Director: Jake Scott
Executive Producer: Tracie Norfleet
Producer: David Mitchell
Head of Production: Elicia Laport
Sales Rep: Shortlist
Post Production CO: Whitehouse Post
Editor: Rick Lawley
Assistant Editor: Devon Bradbury
Executive Producer: Joni Williamson
Producer: Evan Cunningham
Transfer: CO3
Colorist: Mike Pethel
Sr. Producer: Matt Moran
Visual EFX CO: JAMM Visual
VFX Supervisor: Jake Montgomery
VFX Supervisor: Andy Boyd
CG Supervisor: Jonathan Vaughn
Executive Producer: Asher Edwards
Sound Design + MIX: On Music & Sound
Composer: Chris Winston
Tuesday, January 20, 2015
The German dairy Plain, is promoting "Eine neue art, milch zu trinken" which translate to "A new way to drink milk" with what could very well be the strangest milk ad we've seen in some time. The company claims in the spot entitled "Mutter" (mother in english) "Mama's milk was yesterday" and it's new milk is the way to go...
Creative Credits:
Client: SCHICK HAUG & PARTNER GMBH
Product: PLAINMILCH
Creative & script: BERND FAASS, JEDRZEJ GOLECKI, JENS SPÖRI
Production company: STORMINGDESIGN WERBEAGENTUR GMBH
Studio: KING KONG MIETSTUDIOS
Director: BERND FAASS
Producer: MARVIN KIRCHNER
DoP: JENS SPÖRI
Editor: DAVID GESSLBAUER
Music: NICHOLAS KESSELGRUBER
Color grading: FLORIAN STAERK
Sound design: DENIS ELMACI
Compositing: MARVIN KIRCHNER
Makeup: REBECCA HEITMANN
Styling: MAREJKE SCHMIDT
Machine design: PETER JUD
1st AD: AMADEUS ERLEMANN
Assistant camera: GERNOT WOLLMANN
Gaffer: MANUEL DOLDERER
Dolly/Grip: JÖRG RAMBAUM
Light tech: JIM KERNJAK, DAVID GORK, MARINA NÄHLER
An advergame campaign by Fred & Farid Shanghai:
To raise awareness of the launch of Air France’s new Business cabins in Asia, Fred & Farid Shanghai created the first mobile game that allowed travellers to compete for an instant upgrade, just before boarding.
We started by transforming the boarding gates of Changi Airport, Singapore and Kansai Airport, Osaka into gaming arenas. More than 400 passengers were invited to compete against each other during their 15 minute wait before boarding. At the end, the top scorers were instantly upgraded to the new Business cabin, while the runners-up won seats in Premium Economy. Indeed, these were 15 minutes that changed the 12-hour long flight of the winners who had the pleasure of experiencing the comfort of Air France’s new Business seats, after receiving their new boarding pass from the pilot himself.
From the 19th of January 2015, the competition has been extended to a regional level. All Air France passengers flying from China, Hong Kong, Singapore, Indonesia or Japan can now compete against each other, and only the best scorers of the month in each country will have the chance to be upgraded on their next flight to Paris.
The new Air France Business cabins in Asia are now available on Singapore, Tokyo, Shanghai and Jakarta to Paris flights, on the Boeing 777 fleet.
These new Business seats represent Air France’s vision of a premium travel experience and include the following: a fully flat bed, direct access to aisle, and multi-purpose area (desk, restaurant table, bed) offering even greater privacy.
Creative Credits:
Ad Agency: Fred & Farid Shanghai
Client: AIR FRANCE
Campaign Name: THE UPGRADE CHALLENGE
Chief Creative Officers (CCO): Fred & Farid
Creative Director: Gregoire Chalopin
Copywriters: Adrien Goris – Jean-Baptiste Le Divelec – Joseph Davies
Art Directors: Pierrick Jegou – Nicolas Liberman – Zhang Ying – Jihjan Lee - Anna Liu
Brand Supervisors: Antoine Peigner – Sandy Poon
Account Supervisors: Guillaume Leroux – Louise Battus
Agency producer: Louise Battus
Digital producers: Benoit Petrus – Boris Leconte
Director: Giovanni Fantoni Modena
Production: Hurrah!
Producer: James Rotherham – Bellinda McCulloch
Digital Production: Mediasia Interactive
Game Developer: Nicolas Liatti
Music: BENZENE
Post-production: KILLDEATH
Post-producer: Yael Eligoulachvili
Media: Julien Leveque, Lauren Godet, Liao Liang, Yan Zhang
Download the game for iOS or for Android
Sunday, January 18, 2015
One of three ads Bud Light owner Anheuser Busch will air during Super Bowl 2015, "Coin" that gives us a man who gets pulled into a crazy night that seems him running through a life-sized Pac-Man maze.
In addition to "Coin," Budweiser will show a 60-second ad for it's regular beer, and another commercial entitled "Lost Dog." This one will feature the famous Budweiser Clydesdales and a dog.
 |
| Image: BRETT JUSTIN KOPPEL |
"Coin" Creative Credits:
Advertising Agency: Energy BBDO
Saturday, January 17, 2015
Timing is everything...This PSA was timed to coincide with Doritos announcement of the top 10 finalists for the PepsiCo-owned brand's "Crash the Super Bowl" ad contest.
You wouldn’t love it if you knew what it was made from.
Tell Doritos and PepsiCo to adopt a responsible palm oil policy, and save our rainforests.
Some Doritos flavours contain palm oil. Doritos' parent company, PepsiCo, buys 427,500 tonnes of palm oil every year. Palm oil production destroys rainforest and threatens species to the point of extinction.
This deforestation results in the death of over 1,000 Sumatran orangutans every year. This is the ad that Doritos don't want you to see in 'Doritos Crash The Superbowl 2015.'
Sum of Us is a world-wide movement focused on creating a better global economy. We want governments to answer to people, not corporations. Our focus is on ethical consumerism, from the sourcing of products to the rights of workers to fair treatment. We’re building a world that puts the needs of people and the environment above short-sighted greed for the good of all of us and our world.
Director Gustav Johansson unveils the next chapter of Volvo’s "Made By Sweden" campaign with a sweeping short film paying tribute to Sweden’s harshest conditions. Created by Forsman & Bodenfors, AdAge’s most awarded agency of 2014, the 4-minute piece “Vintersaga” takes us into the depths of a Swedish January – the month when the country shows itself from its harshest side with rain, snow, cold, wind and sun that hardly rises above the horizon.
It is also the period that defines Swedes the most. While people from all over the world flock to Sweden during the warm summer periods and enjoy the hours of extended daylight, only the residents choose to stay there voluntarily when the great melancholy rolls in. With the darkness and cold comes a special creativity that affects everything from the music the Swedes create to the cars that they build.
Gustav Johansson sought to capture visually the feeling of vemod - one of the most Swedish words, which does not have a clear or direct translation in English. Vemod is a complex emotion and a cultural phenomenon, comprising a tender sadness or melancholy mixed with a feeling of longing. Vemod is not an outward feeling, but more of a slow fretting inside of somebody. It is something that is sad, yet beautiful.
Produced by Gustav Johansson’s Scandinavian production company, New Land, and shot over a period of 11 days, “Vintersaga” sees the bleak Swedish January transformed into a breathtaking and affecting vision through the lens of the Swedish people. Set to the pulsating title track “Vintersaga,” performed by Swedish singer/songwriter Amanda Bergman and produced by Oskar Linnros, the powerful combination of audio and visual evokes a transformative, almost haunting, emotional experience in the viewer.
From claustrophobic snow-topped forests to vast seaside panoramas, the sleek Volvo slips through the soaring scapes, as quintessentially Swedish as the background itself. Gustav’s “Vintersaga” is an arresting film that translates a sense of both the forlorn and uplifting quality of vemod, while paying tribute to the Swedish heritage that is built into every Volvo.
Det här är en hyllning till Sverige när det är som kärvast. Ett tack till kylan, mörkret, blåsten och regnet. Därför att utan våra hårda svenska förhållanden hade vi aldrig tillverkat de bilar vi gör.
Vem som helst kan bygga en bil som fungerar i solsken och vackert väder. Att ta fram bilar som tar dig dit du ska oavsett väder och väglag är en helt annan sak. För oss är fyrhjulsdrift inte en onödig extrautrustning man kan skryta med, det är en funktion som tar dig hem.
Aktiva helljus, automatisk nödbroms och döda vinkeln-varnare är inte en lek med teknik, utan vettiga hjälpmedel för att köra tryggt och säkert genom ett Sverige där det stora vemodet rullat in.
Creative Credits:
Title: Volvo - Vintersaga - Made by Sweden
Advertiser: Volvo Car Sverige
Client: Åsa Borg, Per Carleö, Mikael Karlsson
Product: Volvo V70, XC70 and XC60
Advertisers Supervisor: Per Carleö
Advertisers Supervisor Titel: Marketing Communications Manager
Advertising Agency: Forsman & Bodenfors
Art Director: Andreas Malm, Staffan Lamm
Copywriter: Fredrik Jansson
Designer: Mikko Timonen
Account Director: Anders Bothén, Hans Andersson, Erik Sollenberg
Account Executive: Martin Johansson
Agency Producer: Jens Odelbring
PR Strategist: Mathias Ericsson
Web Producer: Malin Careborg
Director: Gustav Johansson
Director of Photography: Niklas Johansson
Editor: Sam Ostrove
Production company: New Land
Executive Producer: Erik Torell
Producer: Sophie Tamm Christensen
Production Manager: Sophie Hedberg
Grade: Mike Cosola
Sound Design: Martin Dahl STOPP (Stockholm Post Production)
Post Production: Johan Boije STOPP (Stockholm Post Production)
Musical Artist: Amanda Bergman
Title of song: ”Vintersaga”
Written by: Ted Ström
Produced by: Oskar Linnros
Music Supervisor: André Brink & Jonas Holst, Universal Music Publishing Scandinavia
Published by: BMG Chrysalis Scandinavia A
Label: Sweden Music / Universal Music
Mastered by: Björn Engelmann, The Cutting Room
Photographer: Felix Odell
Production company: CameraLink
Post production: Johan Cabezos, Señor & F&B Factory
Media agency: Mindshare
Social media agency: The Viral Company
Friday, January 16, 2015
This year, the National Basketball Association commemorates Martin Luther King Day and Black History Month with a powerful new commercial for the 2014-2015 season.
“Barrier Breakers” pairs audio of the Rev. Martin Luther King Jr.’s monumental “I Have A Dream” speech with black & white footage of iconic “firsts” from the NBA’s storied history of racial and cultural breakthroughs. From the 1950 signing of Chuck Cooper, the league’s first African-American player, to Violet Palmer, the first female referee in men’s professional sports, to the high-profile 2013 coming out of Jason Collins, the NBA's first openly gay player, the new broadcast film takes viewers on a breathtaking journey through some of the most significant basketball moments of the past 60 years.
“Barrier Breakers” was created by NBA advertising agency, Translation. The spot will debut on broadcast during NBA games on Martin Luther King Day, Monday, Jan. 19.
Creative Credits:
Spot Title: Barrier Breakers
Client: NBA
Agency: Translation
CEO: Steve Stoute
Chief Creative Officer: John Norman
Chief Strategy Officer: John Greene
Executive Creative Director: Betsy Decker
Art Director: Matt Comer
Copywriters: Amir Farhang, Andy Ferguson
Director of Content Production/EP: Miriam Franklin
Associate Producer: Philinese Kirkwood
Account team: Tim Van Hoof, Chris Martin
Head of Brand Strategy: Tim Flood
Strategist: Lindsey Neeld
Project Manager: Matt DeSimone
Editorial Company: Cut & Run
Editor: Dayn Williams
Assistant Editor: Adam Bazadona
Post Executive Producer: Rana Martin
Post Producer: Jean Lane
Visual Effects: Sibling Rivalry
Creative Director: Matt Tragesser
Animator/Compositor: Gabe Darling
Executive Producer: Maggie Meade
Head of Production: Joanna Fillie
Post Producer: Tracey McDonough
Telecine/Conform: Company Three/Method
Colorist: Rob Sciarratta
Flame Artist: Carmen Maxcy
Audio Post: Heard City
Mixers: Phil Loeb, Evan Mangiamele
Executive Producer: Gloria Pitagorsky
Music: Trackmasters
Thursday, January 15, 2015
To introduce the new Toyota Tacoma at the 2015 Detroit Auto Show, the automaker and longtime agency partner Saatchi & Saatchi called upon creative studio Carbon VFX to help lead the charge for the visually dynamic “Invisible Truck.” Headed by Co-Director/Creative Director Chris Noellert, the gorgeous and unique :30 pushes the boundaries of automobile advertising content with a smart and highly conceptual approach.
Saatchi & Saatchi challenged Carbon to create an invisible car, but instead of gravitating toward the simple solution utilizing heavy visual effects, the team decided to approach the problem from a different angle. Noellert opted to focus on visual environmental cues that suggested the presence of the vehicle, so the audience would mentally connect the dots and see the car in their mind’s eye.
Creative Credits:
Client: Toyota Tacoma
Title: “Invisible Truck”
Ad Agency: Saatchi & Saatchi LA
Creative Director: John Payne
Associate Creative Directors: Vidur Raswant, Verner Soler, Julia Regan
Sr. AD: Max Wang
Sr. CW: Anthony Brooks
Executive Integrated Producer: Margaret Nickerson
Sr. Producer: Holly Otto
Integrated Producer: Lyndsey Wilson
Co-Directors: Tony Di Zinno (SaF Productions), Chris Noellert (Carbon VFX)
Editorial Company: Whitehouse Post
Editor: Josh Bodnar
Assistant Editor: Jeremiah Mayhew
Executive Producer: Joni Williamson
Producer: Jonlyn Williams
VFX, Color, Finishing: Carbon VFX
Co-Director, Creative Director, Lead Flame: Chris Noellert
CG Supervisor: Matthew Stevens
CG FX Animators: Denis Gauthier, Daniel Naulin, Tom Connors
Flame Assist: Jim Gomez
Colorist: Mark Todd Osborne
Executive Producer: Marlo Baird Kinsey
Producer: Michael Theurer
Award-winning creative production company, Shilo, and director Jose Gomez recently created an intriguing trailer for the return of AMC’s The Walking Dead. The trailer, which features a good portion of the show’s cast fighting an unknown enemy through a thick mist in the woods, was the result of a close collaboration between The Walking Dead’s writers, producers, Gomez, and the rest of the team at Shilo.
“The show came to us with the idea that they wanted a trailer that showed conflict without showing zombies or the other human characters in the show,” says Gomez, who is also Shilo’s founder. He continued, “As the writers and producers reviewed our scripts for the trailer, a single theme began to emerge: survival.”
A voice-over in the trailer by Andrew Lincoln’s character, Rick Grimes, supported by a soulful score composed by Patrick Watson states “Surviving––surviving together is all that matters.” What follows is a brief focus on each cast member bravely facing an unseen danger.
Cary Flaum, executive producer at Shilo, said of the process of creating the trailer, “initially, we were only going to feature four members of the cast, but as the idea gathered excitement with the producers and writers, the show decided to bring in the entire cast.” The result is a piece of sharp, compact storytelling that captures a major theme of the entire series while setting up the action for the remainder of season 5.
Shilo is widely recognized throughout the industry for its ability to provide full-service creative solutions at every stage of the process from initial concept to post-production.
Gomez comments, “we’ve created a space for ourselves where we’re known for great animation and motion graphics, but also for being a company that produces high-end live action and is serious about soup to nuts production.” Shilo’s latest work with AMC represents continuation of those efforts.
Gomez offered a piece of information for fans gripped by the mystery in the trailer, “Facing the unknown is metaphorically represented by the mist of the forest. It represents all their enemies, whether it be the undead, the living, or the character’s own demons.”
Creative Credits:
Client: AMC
Title: The Walking Dead “Surviving Together”
VP Brand Creative: Geoffrey Addeo
Creative Director: Jacqui Bussey
Production Company: Shilo
Director, ECD: Jose Gomez
Executive Producer: Cary Flaum
Line Producer: Chris Palladino
Director of Photography: Joshua Hess
Editorial Company: Shilo
Editor: Terence Ziegler
Assistant Editor: Lucas Howard
Post-Production Producer: Marian Golden
Color: Company 3
Senior Colorist: Tom Poole
Music: Patrick Watson “Turn Into the Noise”
[Via: Trust Collective]
A new integrated campaign for Expedia debuted across the U.S. from advertising agency 180LA. Featuring TV/online spots "No Excuses" (:30) and "Someplace New" (:15), both spots were directed by Cap Gun Collective director Tom Haines.
To entice viewers to seize the day and take the trips of their dreams, this campaign is set in and around Tokyo – including inside the city's iconic Robot Restaurant. There, robots and lasers dance to Grimes' "Genesis" track, and one bold young traveler has the time of her life experiencing new foods, meeting new people and even taking a turn at karaoke.
Creative Credits:
Ad Agency: 180LA
Chief Creative Officer: William Gelner
Creative Directors: Dave Horton, Matthew Woodhams-Roberts
Copywriter: Ben Bliss
Art Director: Marcus Brown
Head of Production: Natasha Wellesley
Senior Producer: Erin Goodsell
Head of Account Management: Chad Bettor
Associate Account Director: Brooke Stites
Account Manager: Mackenzie Walen
Production Company: Cap Gun Collective
Director: Tom Haines
Executive Producer: Jason Botkin
Producer: Benjamin Mann
Director of Photography: Steven Annis
Editorial Company: Melvin
Editor: Dave Groseclose
Producer: Brian Scharwath
Music Track: "Genesis" by Grimes
VFX and Finishing: The Mill
Colorist: Adam Scott
Wednesday, January 14, 2015
Man’s best friend demonstrates the power of love in the touching spot “Mop Dog” for Dr. Pepper, directed by Imperial Woodpecker’s Simon McQuoid and edited by Cut+Run’s Steve Gandolfi for agency Deutsch LA. Here, a dreadlocked dog finds a friend and ultimately a home on the road with a big-hearted Dr. Pepper driver who understands that you should “always be one of a kind.
The dog featured in the commercial is actually a Puli, a sheep herding breed originally from Hungary that are known for naturally-forming dreadlocks called cords.
Creative Credits:
Agency: Deutsch LA
Chief Creative Officer: Pete Favat
EVP, ECD: Brett Craig
Creative Director: Ryan Lehr
Creative Director: Erick Mangali
Art Director: John Baker
Copywriter: Chris Jones
Director of Integrated Production: Vic Palumbo
Executive Producer: Megan Meloth
Music Director: Dave Rocco
Production Company: Imperial Woodpecker
Director: Simon McQuoid
Director of Photography: Roman Vasyanov
Executive Producer: Charlie Cocuzza
Executive Producer: Doug Halbert
Editorial Company: Cut+Run
Editors: Steve Gandolfi
Assistant Editors: Sean Fazende and Kendra Juul
Head of Production: Amburr Farls
Executive Producer: Carr Schilling
Managing Director: Michelle Eskin
Post: The Mill
Executive Producer: Sue Troyan
Color Executive Producer: Thatcher Peterson
Senior VFX Producer: Kait Boehm
Color Producer: Natalie Westerfield
2D Lead: Adam Lambert
2D Artists: Patrick Munoz and Tim Robbins
3D Artists: Michael Kash and Steven Olsen
Colorist: Adam Scott
Music: Elias Arts
ECD: Vincenzo LoRusso
CD: Mike Goldstein
EP: Ann Haugen
Senior Producer: Katie Overcash
Mix: Mark Meyuhas at Lime
Supermodels Candice Swanepoel, Lily Aldridge, Lais Ribeiro, Andreea Diaconu and Nadine Leopold sizzle in the Victoria’s Secret newest ad entitled "Slow Sultry Swim" showcasing its 2015 swimwear collection.
Creative Credits:
Production Company: Image Work, USA
Director: Michael Bay
Executive Creative Director: Neel Majumder
As Charlie Hebdo returns to newsstands, we wanted to share this new element to the story: three of the slain cartoonists were France’s most outrageous wine label designers.
This past week, the words "Je suis Charlie" ("I am Charlie") have traveled the world in sympathy with the victims of the deadly jihadist terrorist attack on the French satirical weekly Charlie Hebdo, for which Al Qaeda in Yemen is now claiming responsibility.
Among the slain were five of France's most celebrated cartoonists. Three of them were also among the country's most outrageous wine label designers. Read the full story and see more of the designs at The Wine Spectator
Sunday, January 11, 2015
Kleenex Canada wondered if people have forgotten how to care?
In an often cold and indifferent world, Kleenex® brand set out to make a difference. We believed that people sometimes need a little nudge to do something that is inherently good. So we conducted a social experiment and captured the results on film. See what happened.
Moving forward, we hope to inspire others to be prepared to share Kleenex® care with someone in need of a little comfort.
Creative Credits:
Advertising Agency: Geometry Global, Canada
Executive Creative Director: Nuala Byles
Strategic Planning Director: Katherine Barks
Copywriter: Ian Mackellar
Art Director: Greg Mühlböck
Account Director: Jennifer Hearn
Social Strategist: Asha Davis
Social Experiment Choice Architects: Pete Dyson, Dan Bennett
Partner Agencies: Ogilvy & Mather, Mindshare, Ketchum | Canada
Producer: Margaret Callaghan
Director: Dale Heslip, Sparks Productions, Therese Brisson
Music: Creighton Doane, DL Audio
Editor: Aaron Dark, School Editing
Online: Mike Morey, Fort York VFX
Colourist: Conor Fisher, Alter Ego
Marketing & Sales: Therese Brisson
Brand Manager: Tom Houde
Integrated Marketing Plan Director: Mitch Faigan
When the Superstar shoe was first launched by adidas back in 1969, the word ‘Superstar’ was unambiguous. Today, the word has been corrupted to the point of confusion. This year adidas Originals sets out to question what it means to be a superstar, beginning with this film featuring Pharrell Williams, David Beckham, Rita Ora and Damian Lillard.
Creative Credits:
Ad Agency: Johannes Leonardo, New York
Production Company: Caviar
Director: Karim Huu Do
Chief Creative Officers: Jan Jacobs, Leo Premutico
Executive Creative Directors: Tom Martin, Julian Schreiber
Creative Director: Ferdinando verderi
Creatives: Matt Edwards, Wes Phelan
Producer: Richard Weager
DoP: Matthias Montero
Designer: Dave Kerr, Annette Lay, Andrea Gustafson
Production Designers: Mark Snelgrove, Mikey Hollywood
Head of Production: Kelly Bowen
The 10 finalists have been revealed for the 2015 Doritos Crash The Super Bowl contest. Just shy of 4,900 submissions from 29 countries the final 10 does not come without some controversy online...there are no women finalists, what was originally a contest open to amateur film makers, it seems most work in the industry, and sadly one of the finalists (Trouble in the Back Seat) appears to be an obvious copy of the TBWA/PHS, Helsinki created ad "Drama Queen" (see it below and judge for yourself). In no particular order the finalists are listed below.
1 | Doritos "ManChild"
Written, Directed, Edited by Armand de Saint-Salvy
Wife: Lydia Sarks
Husband: Mitch Wright
Cinematography: Ben Raymond
Production Assistant: Lev Jutsen
Sound Recordist: Richard Teague
Sound Mix: Matt Perrott @ Uncanny Valley
2 | Doritos "Lemonade Stand"
An innocent little girl selling lemonade in her neighborhood devises a creative way to maximize her profits.
Directed by: Nick Sivakumaran www.amosprods.com
Written by: Richard Jindapornsuk
Produced and Edited by: Dave Horowitz
Associate Producer: Clint Riffo www.lot405productions.com
DP: Gonzalo Digenio
Starring: Addison Aguilera, Benjamin Teeter, Alain Azoulay
Auctioneer Voice: Christie Hatman
3 | Doritos "When Pigs Fly"
Billy goes to great lengths to get a Dorito from Ralph...
Created by Graham Talbot, Nelson Talbot, David McDonald
Producer/Production Designer: Rebecca Sjonger
Cast: Brendan Taylor, Keegan Turbitt, Bernard the Pig
Cinematography by: Graham Talbot, Nelson Talbot
Editing/VFX: David McDonald
Casting Director: Alex Zahara
Key Grip: Nicholas Palfy
1st Camera Assistant/Crane Operator: Cedric Yu
Grip: Chris Tambosso, Owen Jones, Taylor McInnes
Animal Wranger: Ian Doig
Animal Trainer: Camille Siebert
4 | Doritos "What Could Go Wrong?"
Performers: Mark St Cyr, Alex Pepper, Morgana Phlaum
Videography: Kristen Sandler
5 | Doritos "Airplane Middle Seat"
One man will do just about anything to keep the middle seat open...
Created by Scott Zabielski
6 | Doritos "The Angler"
A fish can't resist the sound of a fisherman crunching on some Doritos, so he does what any other self respecting fish would do...
Created by filmekanik
7 | Doritos "Selfish Sneezers"
What happens when 7 best friends realize they might have to share 6 bags of Doritos?
Written & Directed by Devon Ferguson
Cinematography by Corby Martin
8 | Doritos "MisSpelling Bee"
Two spellers battle it out to win...by losing.
Created by Brian Kleinschmidt
9 | Doritos "Baby's First Word"
Watch Baby Liam speak his very first word.
Writer/Producer: Travis Braun
Director/Producer: Ryan Turner
Director of Photography/Producer: Alex Pollini
Producer: Melissa Braun
10 | Doritos "Trouble in the Back Seat"
Dad isn't eager to share his Doritos. But the kids have other plans.
Created by Jason Johnson
Below is the "Drama Queen" spot from 2010 that sadly spoils the fact Doritos even considered Jason Johnson's "Trouble in the Back Seat" as a finalist.
Ad Agency: TBWA/PHS Helsinki
Art Director : Minna Lavola
Copywriter: Mira Olsson
Production Company: Caviar Content
Producer: Karen Bruinsma
Executive Producer: Jacques Vereecken
Director: Rogier Hesp
DOP: Steve WAlker
Editor: Maurik de Ridder
Sound: Studio de Keuken
Post Production : Goeroepost Media
Katy Perry gets ready for her performance at the 2015 Pepsi Super Bowl XLIX Halftime in her testing facility designed exclusively for the big show.
[Update] Lenny Kravitz will be joining Perry during the halftime show. What song might Kravitz perform with Perry? When NBC's Willie Geist suggested to Perry in a recent interview that they do Kravtiz’ remake of the classic Guess Who hit, American Woman be done, she looked at the camera and winked.
Skittles is so excited about it's first ever Super Bowl ad that they starting a tailgate party with Kurt Warner four weeks early to celebrate. The parking lot at Arizona's University of Phoenix Stadium will never be the same again.
Creative Credits:
Advertising Agency: DDB, Chicago
Music: DJ DOLLZ and Danny McCarthy
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