Charlie Hebdo Cartoonists Remembered for Outrageous Wine Labels Designs

As Charlie Hebdo returns to newsstands, we wanted to share this new element to the story: three of the slain cartoonists were France’s most outrageous wine label designers.

This past week, the words "Je suis Charlie" ("I am Charlie") have traveled the world in sympathy with the victims of the deadly jihadist terrorist attack on the French satirical weekly Charlie Hebdo, for which Al Qaeda in Yemen is now claiming responsibility.

Among the slain were five of France's most celebrated cartoonists. Three of them were also among the country's most outrageous wine label designers. Read the full story and see more of the designs at The Wine Spectator

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Fail Ale Brewery Explores Failure In Brilliant New Packaging Design by Michael Cody

Fail Ale Brew Co. is a small scale brewery specialising in Craft Beer. The Idea behind the brand is to stand out from competitors by essentially making mockery of themselves. The aim of the design was to explore the notion of 'Failure' and create a unique light hearted style which still came across as a quality product.

Creative Credits:
Design by Graphic Design student and passionate creative from Wellington, New Zealand Michael Cody.
via: Cody on Behance

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Airbnb's New Handmade Ad, Shot in One Take Is A Wonderful Ride

When we travel, the world around us gets smaller. Friendships are made on the fly, landscapes are explored, and new experiences are found around every corner. And when you stay in an Airbnb listing, this small world feeling is amplified immeasurably. We've created a fantastic handmade world that dramatizes the feeling you get while traveling with Airbnb. It's an expansive world, yet truly personal. As the train travels through this world, the viewer gets to experience what is Airbnb and how Airbnb enables you to Belong Anywhere.

Below: A behind the scenes look at the process of creating 'Welcome to Airbnb'. The film was shot through a small camera mounted on the model train in a single, 60-second take. All external movements are mechanical, not animated or done in post-production. All the different transitions that were hand operated had to be incredibly coordinated. It was a well-orchestrated effort to ensure that the 9 people who did several jobs at once were able to either fold things up before, or tilt things over and rotate things to ensure the one perfect take.

The commercial was created by TBWA Singapore and filmed in an Aukland warehouse, 30 people spent five weeks and 2,400 hours creating the 85-square-meter set. Rarely do we enjoy watching a spot that's :60 plus seconds, but this is one that we wished kept going just a bit more.

Credits:
Ad Agency: TBWA, Singapore
Production Company: Cirkus
Director: Christian Greet
Art Director: Norman Yeend

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V Squared Labs Awes With Groundbreaking StarCraft II Projection Mapped Stage for the World Champion Series at BlizzCon 2014

V Squared Labs, the Los Angeles based leading visual arts studio was recently commissioned by Blizzard Entertainment to produce the larger-than-life eSports stage for the World Championship of StarCraft II at this year's BlizzCon Conference. Standing at an incredible 130ft wide x 40ft tall the V Squared Labs team completed an astounding 3-D projection mapped stage creation at the Anaheim Convention Center Arena. Twenty-four 26K projectors running over 624,000 lumens helped make this the second largest projection mapped stage of its kind in the e-sports field with the number one highest pixel count.

The goal of the animation was to immerse the audience in new worlds inspired by the existing lore from the maps and races. The illusion created by re-projecting these virtual scenes onto the dynamic set were so convincing that the audience at moments became unable to distinguish the virtual from the physical reality. The set was built and installed by Stage House in Las Vegas whose team truly helped make this design a reality.

Projection geometry was designed to frame and highlight the stage elements as well as to reflect and incorporate the StarCraft II game aesthetic. The wrapping of two booth windows, two front stairs and three screens, made the structure completely continuous allowing for fluid animation transitions. To enhance the live experience, Every surface was rigorously kept at 45 degree angles for build convenience, projection purposes, and to mirror the isometric viewing style of the game itself. The set topology was inspired from StarCraft II user interface elements, in-game architecture, and the various animations that were projected onto the set. Several iterations and styles of set geometry were explored and finessed over a span of 6 weeks before settling on a final design for animation.

The stage was designed to enhance and amplify StarCraft II gameplay and architectural styles. The animation design incorporated game assets with original 3D models created by V Squared Labs. Each of these race looks also had a unique victory sequence that overtook the losing players side of the set. The player and display booths were positioned at a height that visually exemplified their epic reputations giving the arena audience an encompassing cinematic experience.

Credits:
BLIZZCON – Starcraft 2 Stage
Client: Blizzard Entertainment
Blizzard Lead Producer: Steve Parker
Blizzard Game Producers: Elisha Cabrera, Tony Hsu, Tim Morten and Jennifer Owings
Blizzard Program Managers: Tyler Rosen and Adam Rosen
VSL Director: Vello Virkhaus
VSL Producer: Andi Perez
VSL Production Design: Amanda Hamilton
VSL System Programming and Live Visualist: Keith Lostracco
VSL Technical Production and Live Visual Support: Evan Pierre
VSL Lead Animators: Carlo Sa and Aaron Kaminar
VSL Animators: Benjamin Budzak, Ofer Zmora, Jordan Halsey, Steven Gagne, Jordan Montreuil, and Richard Powell
VSL Junior Animators: Art Perez, Alec Maassen, Jordan Montreuil and Sankara Souvignon
VSL 3D Modelers: Tyler Russo and Aaron Coleman-Hayes
Event Production: Yellow Light Live
YLL Technical Director: Pete Emminger
YLL Stage Director: Curtis Anderson
YLL Event Planner: Matt Hicks
Broadcast Production: ELS
Video and Lighting Creative Technologies
CT Project Manager Ethan Pico
Lighting Programmer: Cat West
Set Fabrication and Engineering: Stage House, Las Vegas
SHLV Director: Tony Lamecker
SHLV Project Manager: Robin Hayden
Rigging: Dan Morehouse
Decking: Accurate Staging
Photography: Carlos Gonzales
Video Documentation: Carlo Sa, Art Perez, Amanda Hamilton and Jessar Nygard (time lapse)

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Microsoft Surface Pro 3 - Unleash your creativity "The Surface Artist"

With Surface Pro 3 comes the Surface-pen and Palm Block-technology that opens up new possibilites for creatives. In order to demonstrate these new features Microsoft put the Surface Pro 3 to a test by gaving it to Maja Larsson, a talented illustrator, and send her out to the SIME digital conference in Stockholm. A conference that gathers creative minds from all over Sweden. There Maja offered visitors new profile pictures sketched on a Surface Pro 3.

Creative Credits:  
Advertising Agency: JMW, Stockholm, Sweden
Account Executive: Thomas Hansen
Creative Director: Samuel Garlöv
Art Director: Anders Pålsson
Illustrator: Maja Larsson
Photographer: André Sebastie

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VSA "Went Big" for Hyatt's New Campaign

VSA Partners “went big” in the new campaign showcasing the detail orientation of their client Hyatt as relates to meeting planners needs.

The strategy culminated in the key message, “A million details. One unforgettable experience,” derived from the insights gleaned in putting together a successful event: it’s about the “millions” of details and the people who manage all of them to create a seamless, remarkable experience. The campaign includes print, digital, social media, sales collateral and email marketing efforts.

The life-sized nature of the tableaus turned into a significant technical challenge, not just for photographer Mark Wiens (who stayed in a crane basket for hours at a time while assistants carefully arranged items) but for the stylists who tracked down the raw materials, some of which were actually raw: “There’s a bunch of different vegetables in there, from romanesco to tomatoes to lemons, not to mention charcuterie plates, bottles of water, lanyards, full table settings, hotel key cards and so much more,” reported Britta Hernalsteen, VSA Associate Creative Director, who noted the extreme attention to detail over the three-day shoot. “Because it was all done in camera, we were going on set repeatedly with rulers to make sure everything was aligned and evenly spaced. As a result, it all feels real and turns out to be a better product than if we had done it digitally.”

VSA Partners Credits:
Photographer: Mark Wiens
Associate Director, Art Production: Karen Fast
Creative Director: David Harbarger
Associate Creative Director: Britta Hernalsteen
Writer: Sierra Swanson
Designer: Hannah Mowrey
Designer: Andrew Reaume

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Into The Woods Gets Animated with New Character Portraits

This Christmas, Into the Woods will bring the classic fairytale characters of Stephen Sondheim’s musical drama to life in a whole new way as a beautifully realized motion picture. In the meantime, Walt Disney Studios has offered us a special preview in the form of a new set of animated posters, which you’ll find below. Each one highlights one of the film’s main players, decked out in costumes created by legendary Oscar-winning designer Colleen Atwood (Alice in Wonderland, Chicago). via: Disney Insider

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Netflix gets GIF-y in latest breakthrough idea by Ogilvy Paris

In Netflix latest communications in France, reactive GIFs are designed and managed to be relevantly in context to its viewer's physical or emotional situation.

Creative Credits:
Advertising Agency: OGILVY & MATHER PARIS
Executive Creative Director: Baptiste Clinet
Creative Director: Nicolas Lautier
Creative: Julien Chiapolini (Art Director), Riccardo Fregoso (Copywriter), Hélène Boudin (Creative Assistant)
Account: Anne-Sophie Carbo (Business Director), Alexis Valero (Account Executive), Joo-Hyung Lee (Assistant Account Executive)
Planning: Alexandra Mimoun (Director of Strategy Integration), Amélie Delacour (Strategic Planner)
Production: François Phan (Producer)
Production Company: Delapost Paris
Media Agency: MEC, Screenbase

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The MAXIMUM MURAL from Canadian Tire

To help Canadian Tire introduce MAXIMUM, a new line of tools and accessories engineered for trades’ professionals, the retailer tasked Tribal Worldwide – Toronto with creating an awareness program that would heighten anticipation for the new products.

Believing it’s more powerful to show versus tell, Tribal Worldwide – Toronto developed a captivating film that demonstrates the unparalleled performance and toughness of the MAXIMUM Precision Point™ Drill Bits.

“We needed to demonstrate the power and precision of the drill bits in a way that was worthy of the attention of serious craftsmen and women,” says Joshua Stein, executive creative director, Tribal Worldwide – Toronto. “Our solution was simple. Use 1Ž4-inch steel and make it look cool.”

For The MAXIMUM MURAL from Canadian Tire, 10,795 holes were drilled through 358lbs of 1/4-inch solid steel. It’s a testament to Maximum Drill Bits’ strength, longevity and precision.

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Sennheiser Digital New Campaign Turns Your Head into a Remote Control

Our heads have always moved to the rhythm of Music. What if Music could follow the movement of our heads?

Sennheiser, brand of high-tech at top of the range, launches a new digital experiment ‘Momentum Duo’, created by Fred & Farid Shanghai and produced by Killdeath.

The concept:
An interactive musical video where the user takes control via webcam of the audio and visual through face detection. To make this experiment unique Sennheiser chose two young Chinese music artists: a 14 year-old prodigy pianist A Bu and a young soprano Bingbing Wang. They both perform with two talented dancers: Ming Ming (China) and Mae (UK).

Credits:
Agency: Fred & Farid Shanghai
Brand: Sennheiser
Title: Momentum Duo
Chief Creative Officers: Fred & Farid
Creative Directors: Feng Huang, Gregoire Chalopin
Associate Creative Director: Laurent Leccia
Copywriter: Laurent Leccia
Art Director: Laurent Leccia, Zhang Ying
Brand Supervisor: Marc Vincent
Advertiser’s Supervisor: Amar Kabouche
Account Manager: Louise Battus

Production Company: KILLDEATH
Director: Laurent Leccia
Agency Film Producer: Terry Jin

Executive Production Company: Glowy Films
Editor: Shihui Qiu
Music Composer: A Bu, Bingbing Wang
Post Production: Film Valley
Agency Digital Producers: Sacha Guyon, Benoit Petrus
Developer: Liao Chen
Making of: KILLDEATH / Blinde Wu

Equally entertaining is the making of clip below...

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Coca-Cola Diet Coke: Millions of One of a Kind Bottles

Coca Cola Israel: A new campaign for Diet-Coke revealed a unique collection of over 2 million unique one-of-a-kind bottles. The campaign, revolving around the concept “Stay Extraordinary,” produced over 2 million different bottles using a new printing system that printed every bottle with a different look. For the consumer this meant no bottle repeated itself and whoever bought a diet coke bottle received a one-of-a-kind design. The purpose of the campaign was to convey to Diet-Coke lovers that they are extraordinary by creating unique one-of-a-kind extraordinary bottles.

The unique bottles were marketed in all POS in packages of 51 oz., 17 oz. and in 12 oz. bottles. The campaign was accompanied by digital media coverage which gave Diet-Coke fans the opportunity to create an online cup set of their choice, identical to the bottles they collected. In addition to all of the above, selected marketing outlets gave the consumers the chance to create thousands of Diet-Coke branded products such as bags, t-shirts and iPhone covers. Soon after, bottles were up for sale on E-bay at marketing prices as high as $200 for a collection and $15 for one bottle.



The complex campaign was made possible due to an innovative printing technology. A special algorithm was created which gave birth to the design technique - It could create millions of different designs that were completely auto-generated, with no need for human intervention. Alon Zamir, Vice President of Marketing Coca-Cola Israel: "We are proud to launch such a complex, innovative and extraordinary campaign which will convey to all Diet-Coke consumers how extraordinary they are themselves".

As always, the Diet-Coke brand strives to be innovative and fashionable, the exact qualities that make it so lovable for its consumers, and this campaign signifies this more than ever.

Credits:
Advertising Agency:Dahaf, Tel Aviv, Israel
Creative:Gefen Team
Production:Q Digital
Print Technology:HP Indigo
via: Adeevee.com

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Meet The Brilliant Sculptors Behind Brita's "Sugar Biology"

Harvest Films, based in Los Angeles, have commissioned sculptors Brendan Jamison and Mark Revels to create a giant human-shaped city in sugar cubes for a commercial by global giant Brita, the German water-filter company. Using 221,314 sugar cubes and measuring 8 metres long (26 feet), the sculpture represents the average amount of sugar that one human being consumes in a lifetime. The TV campaign is designed to highlight the serious health risks of drinking liquids with high sugar content. It will no doubt shock and bedazzle in equal measure.

Sculptors Mark Revels and Brendan Jamison on set during the filming

of the Brita commercial featuring a giant human city constructed from 221,314

sugar cubes. Commissioned by Harvest Films, Los Angeles. Image via:

Drinking one soda a day may not seem like much, but this simple choice can add up. In fact, over an average lifetime, drinking just one regular soda a day is the equivalent of consuming over 221,000 sugar cubes. What does that look like? Watch and see.


Credits:
Ad Agency: DDB, California
Production: Harvest House
Directed by Matthias Zentner

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The Power of Paper, Felix Schoeller Group

Created by agency Service Plan Gruppe, this epic spot plays on the power of paper. Seemingly insignificant, paper has the power to change the world and write the future. Produced by Wanda Germany and helmed by Ehsan B.

We believe in the power of paper.
We believe that paper has shaped our life and our history and that it will do so in the future.
That paper will evolve and will assert itself because it is more than just a carrier of rational information.
It awakens feelings and memories, expresses our style and is an everlasting proof of beauty and inspiration.

Credits:
Client: Felix Schoeller Group
Agency: Serviceplan Design, Serviceplan Campaign
TV Department: Neverest GmbH & Co. KG
Agency Producer: Elsa Hoffmann, Aisha Blackwell
Creative Director: Christoph Everke / Marco Savic
Concept: Marc & Ish

Director: Ehsan B
DoP: James Henry
Production: Wanda Germany GmbH
Executive Producer: Mandy Kothe

Line Producer: Julian Brayshaw
Assistant Producer: Lea Schäfer
Postproduction: Harvest Digital Agriculture
Music: Northdog Music Publishing Ltd.
Sounddesign: Harvest Digital Agriculture, Kilian Bohn
Editor: Steven Wilhelm, Sebastian Plamadeala

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Nestlé - Optifibre Amazon

A stylistic enchanted adventure, “Amazon” encompasses the definitive portrayals of good and evil. Ogilvy & Mather Paris commissions this television spot for Optifibre to highlight the brand’s core values. Produced by Troublemakers.tv and helmed by Mate Steinforth, this painstakingly detailed animation taps into a unique fantastical fairy-tale world with its own colourful story to tell.! !

When Mate Steinforth isn't feeling ridiculous about writing his own bio in the third person, he's either changing the diapers of his daughter or shouting at people to push pixels harder. After wasting much of his youth in front of the computer putting those pixels together himself, he wasted more time studying graphic design before deciding to do animation, which is what he wanted to do in the first place anyways. Several stints at several amazing studios in several cities - including Madrid and New York as a Creative Director at PSYOP - led him to a settled position as a Partner and Creative Director of SEHSUCHT in Berlin. He works with a hardcore bunch of crazy design fanatics on their signature style of moving images. After spending 12 hours in front of the computer at work, he likes to spend 12 more hours in front of the computer at home. Recently, this borderline behaviour was validated by winning some industry awards as well. While those are completely irrelevant to the real world whatsoever, he finds it strangely soothing.

Creative Credits:
Client - Nestlé
Product - Optifibre
Title - Amazon
Agency - Ogilvy & Mather Paris
Client - Nathalie Derrien
Account Managers - Cedric Beord & Christine Dupetitmagneux
Creative Director - Christian Foulon
Art Director - Stéphanie Surer
Tv Producer - Evelyne Callot
Production Company - Troublemakers.tv
Director - Mate Steinforth
Executive Producer - James Hagger
Producer - Cécile Alvarez
Production Manager - Aurélie Chevalier
Production Assistant - Charles-Philippe Bowles
Post-Production - Sehsucht
Post-Producer - Lars Wagner
Post-Producer - Christina Geller
CG Artist - Saskia Kretzschmann
CG Artist - Christian Zschunke
CG Artist - Florian Panzer
CG Artist - David Weidemann
CG Artist - Remo Gambacciani
CG Artist - Alexander Walker

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Designer Carolina Melis' Cool Animation For Fendi Roma

Carolina Melis directed this short animation for the fashion brand, FENDI. It’s a viral film featured on FENDI’s channel. It’s quite interesting as is the new way fashion brands present their collection, something that it is an alternative to fashion magazines and catwalks.

Credits:
Directed and Designed by Carolina Melis
Animation by Michela Bruno

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Lucky Post’s Sai Selvarajan Creates New Show Open For Frame Of Mind

Lucky Post’s Sai Selvarajan was tapped to create a new show open for the series Frame of Mind, which airs Thursdays at 10 p.m. on KERA TV. The series, newly expanded into a full 13-episode season, showcases the work of independent filmmakers and video-makers and features a wide range of innovative media produced in or by Texans.

Sai Selvarajan and frequent collaborator Johnny Rutledge concepted and crafted the show open, which captures the spirit of the program and the work it showcases. “We wanted it to feel eclectic and dense, starting at a macro level and going wider as a representation of the creative process,” explains Selvarajan. Rutledge illustrated the man’s head, which was given an animated feel using an in-camera, stop motion approach. Elements of filmmaking - literal and conceptual - fill out the piece, which was edited by Selvarajan at Lucky Post. The music is by The Paper Chase, generously provided by the band’s former singer and popular music producer John Congleton.

“I’ve worked with Sai Selvarajan and Johnny Rutledge on a number of projects,” says Frame of Mind co-producer Bart Weiss, director of the Dallas Video Festival. “They always do an incredible job, but this may be their finest. The open perfectly contextualizes the series by illuminating the mindset of the filmmaker.”

In addition to the Show Open, Sai Selvarajan’s short film Duchamp – art directed by Johnny Rutledge - will air on the final installment of Frame of Mind. Concepted and written by Sai Selvarajan and Mark Coppage, Duchamp is a silent film about the power of music that stars real life husband and wife Aleksa Palladino (Manny & Lo, Boardwalk Empire) and musician Devon Church who make up the band Exitmusic.

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Behind the Scenes film for Amnesty International Award Winning "Pens" Spot

Uncover the secrets behind Troublemakers.TV award-winning film for Amnesty International directed by Onur Senturk through this making of.

Amnesty International in collaboration with its agency TBWA Paris are back. Directed by Onur Senturk and co-produced by Troublemakers.tv and the studio One More, Pens is a full CG film shot in motion capture (Mocaplab) that epitomises the potential of each signature in the defence of human rights. Highlighting that the voice of a single person can bring about the birth of a social movement, the film concludes with the words “your signature is more powerful than you think” and features the song Iron Sky by Paolo Nutini. Through powerful imagery, Amnesty International has encapsulated the essence of its primary objective – inspiring communities to defend their fundamental human rights.

Creative Credits:
Client - Amnesty International
Agency - TBWA Paris
Vice President - Anne Vincent
Account Management - Laure Lagarde
Account Management - Isabelle Dray
Clients - Bertin Leblanc, Arnaud Humblot
Creative Director - Philippe Taroux
Creative Director - Benoit Leroux
Art Director - Ingrid Varetz
Head of TV - Maxime Boiron
Agency Producer - Amer Zoghbi
Production Company - troublemakers.tv
Director - Onur Senturk
Producer - James Hagger
Production Manager - Aurelie Chevalier
Production Manager - Cecile Alvarez
Production Assistant - Charles-Philippe Bowles
1st Assistant Director - Thomas Bidart
Motion Capture - Mocaplab
Motion Capture Shoot Director - Remi Brun
Motion Capture Supervisor - Frank Vayssettes
Motion Capture Editor - Charles Fourgeront
Motion Capture Assistant - Ahmed Turki
Motion Capture Actor (Hero) - Romain Ogerau
Motion Capture Actor - Franck Pech
Motion Capture Actor - Charles Lelaure
Co-Producer & Post-Production - One More
Post Producer - Benjamin Darras
Art Director - Johnny Alves
Post Production Coordinator - John Meunier
VFX Supervisor - Eddy Richard
3D Artist - Francois-Xavier Gonnet
Modelling, Setup - Gwenhael Glon
Layout - Romain Durr
Animation - Jérémie Vidal
Layout, Lighting, Renders, Compositing - Jérome Rouvelet
Layout, Lighting, Renders, Compositing - Thomas Rodriguez
Layout, Lighting, Renders, Compositing - Tim Lebon
Layout, Lighting, Renders, Compositing - Victor Besse
R&D Supervisor - Alain Xerri
Editor - Nicolas Larrouquere
Additional Editing - Romain Bouileau
Flame Operator - Hervé Thouement
Music - Iron Sky by Paolo Nutini, Dave Nelson & Charlie Chaplin
Music Art Direction - Philippe Mineur, Ferdinand Huet
Sound Producer - Benoit Dunaigre
Head of Music & Sound - Olivier Lefebvre

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The World's 1st Experimental Art, from your Washer

Electrolux has released the next expression from their artful appliances idea with a new online film from Saatchi & Saatchi Thailand that demonstrates the artistic capability of its washing machines.

Collaborating with upcoming Thai experimental artist Pitchanan Sornyen, and production company Wakeup Rabbit, ‘Washing: Re-Imagined’ uses the magic of art and the power of imagination to highlight appliance product features in a way not done before. Washing functions like Time Manager, Vapour Action and Refresh Cycle are used to create a piece of unique art that will be showcased by Electrolux at a later date.

"Most advertisements for washing machines treat appliances like commodities,” said Nuntawat Chaipornkaew, Executive Creative Director of Saatchi & Saatchi. “With Electrolux, we wanted to showcase the product with creativity and mystery to show that there is a lot more to the appliance than people expect."

‘Washing: Re-Imagined’ follows the success of Saatchi & Saatchi Thailand’s previous film for Electrolux that captured the first piece of art in the world created with a vacuum cleaner. ‘The Power to Capture Imagination’ film has received more than 1 million views on YouTube.

Creative Credits:  
AD AGENCY: Saatchi & Saatchi, Thailand
PRODUCER: Aitthipat Boonkumol, Pattira Kietivanichanon, Chanida Noikampan
EXECUTIVE CREATIVE DIRECTOR: Nuntawat Chaipornkaew
COPYWRITER: Tanongsak Tanoparat, Chavanon Tantisiriseranee, Nattinee Hemwanno,
ART DIRECTOR: Shayne Chomchinda, Kajohnchai Rodklongtan, Prapat Patomchaiwiwat, Weerayut Angkharach, Poowadon Potichat
ACCOUNT MANAGER: Krittinee Kampitak, Nuttaphan Godden
PRODUCTION COMPANY: Wakeup Rabbit
PRODUCER: Athip Vichuchaianan
DOP: Panit Jirawattananunt
DIRECTOR: Pagorn Jungrungruang

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1 Million Soccer Balls - Danish Superliga's CG Soccer Explosion

For the Danish soccer league Superliga, Frame created this fast paced and fun title sequence featuring an amazingly skilled freestyle footballer and a million soccer balls going nuts.

More football, more tricks, more CG magic and more... well, balls! Nomint director Anders Schroder has created a soccer celebration for Danish league Superliga.

Anders and his studio Frame created this fast paced and fun title sequence featuring an amazingly skilled freestyle footballer and a million soccer balls going nuts, all for Danish football fans.

This is Anders's third football related film after his recent work for the spanish La Liga and last year's immensely successful Premier League project. via: Little Black Book

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Erotic Film Festival Print Campaign - Kino Praha: The Best Movie Performances

Credits:
Advertising Agency: Lowe, Warsaw, Poland
Creative Director: Kinga Grzelewska, Marcin Nowak
Art Director: Bart Bialy
Copywriter: Lukasz Gromkowski
Illustrator: Bart Bialy
Dtp:Marcin Olbrych
Print Producer: Anna Jagielska
Account Manager: Łukasz Król

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